I love creating new designs for fused glass and for my jewelry. I often have a vision for what I want to create although it can take a while before it comes to fruition, especially if I have to create multiple versions.
Below is one of the first of my stretch glass bracelets:
I'm quite happy with how this turned out. I wanted to create something using transparent glass without any existing jewelry findings. To make this, I first fused 1" glass bars which contained fiber paper for the holes. Next, I cut up the bars and tack fused the dichroic design layer to create large glass "beads." Then, I strung the beads together with Swarovski crystal in between so that it bends easier. The beads also add a nice design element. I like the chunkiness of how the bracelet turned out.
I've made 4 of these so far and have about 10 more that I'll be stringing in the next day or so. I'll post again once I've finished. Let me know what you think. I don't keep many of my jewelry items for myself but one of these may find its way into my possession :)
Tuesday, July 31, 2012
Saturday, June 30, 2012
What's New: Wire Wrapped Fused Glass Marquis Pendants
Some of you may have seen my wire wrapped dichroic glass hearts, which I've been making for a number of years.
To expand on that idea, I now have wire wrapped marquis shaped pendants. The process of making them are similar, although I've changed the decorative wire wrapping a little. The first step is to cut out the marquis shape. Next, I coldwork the shape to smooth out the edges and grind a channel or grove in the side, which helps the wire stay in place. The pendant goes back into the kiln to be fire polished.
Once it comes out, I select Swarovski crystal beads that match the colors in the glass and cut square sterling silver wire to use as the wrap. Here's the first of several that I've made:
I know not everyone is a heart person, so I'm hoping this shape will appeal to those who aren't. Another new item: sterling silver marquis shaped earrings with fused glass dangles (to come in a later post). These should go nicely with the pendant.
Another new thing is that I purchased a DSLR camera and macro lens so I can take better pictures of my jewelry. I've been challenged with getting the colors of the dichroic glass and I'm happy with how these pictures turned out...so look forward to more jewelry posts to come in the future. Taking photos has been one of the things I least enjoy but with my new camera, I'm beginning to have a little fun. I'd be interested in your thoughts on the photos and pendant, of course!
To expand on that idea, I now have wire wrapped marquis shaped pendants. The process of making them are similar, although I've changed the decorative wire wrapping a little. The first step is to cut out the marquis shape. Next, I coldwork the shape to smooth out the edges and grind a channel or grove in the side, which helps the wire stay in place. The pendant goes back into the kiln to be fire polished.
Once it comes out, I select Swarovski crystal beads that match the colors in the glass and cut square sterling silver wire to use as the wrap. Here's the first of several that I've made:
I know not everyone is a heart person, so I'm hoping this shape will appeal to those who aren't. Another new item: sterling silver marquis shaped earrings with fused glass dangles (to come in a later post). These should go nicely with the pendant.
Another new thing is that I purchased a DSLR camera and macro lens so I can take better pictures of my jewelry. I've been challenged with getting the colors of the dichroic glass and I'm happy with how these pictures turned out...so look forward to more jewelry posts to come in the future. Taking photos has been one of the things I least enjoy but with my new camera, I'm beginning to have a little fun. I'd be interested in your thoughts on the photos and pendant, of course!
Thursday, May 31, 2012
Add Some Summer Sizzle: Fused Glass Wire Wrapped Pendant with Gemstones
I've been looking for ways to "step up" my fused glass jewelry, especially because I would like to enter better shows, which typically require that I jury in my jewelry. So, I've taken a few wire-wrap classes to help me. I also have a few extra gemstones that I thought would add that extra sparkle -- even through there's enough with the dichroic glass alone. Here's the first of my wire wrapped pendants. It includes pearls, pink topaz and pink amethyst.
This was harder to make than I though as the technique works better with beads. I am planning to make a few more in blues and purples. I'd be interested in your thoughts.
Also, I hope to be sharing more jewelry photos in the near future. I've been challenged with accurately representing all the colors in the dichroic glass but have invested in a DSLR camera and a macro lens, so hopefully, I'll have some good photos to share as I'm working on some new designs.
Sunday, April 29, 2012
How To Get 50 Different Glass Magnets From 3 Pattern Bars
This year, I participated in a magnet exchange with members of the Warm Glass board. It's actually called a "magless" exchange because everyone provides the glass but not the magnets (saves on shipping).
Since I've been playing around with pattern bars, I decided to try a couple of new variations, with designs that I might use for a larger plate. I started with a couple of frit bars (2 color – opaque and transparent from frit I made) as well as a random pattern bar (technique learned from Brock Craig).
My first round of pattern bars were 2 ½” wide – this is
because these were the narrowest dams I had (actually, I could have made some 1
½”wide had I thought about using the width in advance) After a little coldworking, I combined those
bars with layered sheet glass into a new pattern bar. I did this in two steps to create a nice
clean line between the layered sheet glass and the bars, which I fired
again. The second bar has layers of black and red sheet glass with red transparent and opaque frit.
The final bars were ground, cut with a tile saw and coated
with devitrication spray before being fire polished.
Before firing:
After firing:
What I learned:
- Large pieces of frit condensed down more than I expected – I knew this but didn’t think about it as I was limited to the amount of frit I had. Fortunately, this wasn’t an issue as I had already planned to combine it with sheet glass.
- It’s best to plan the size of the pattern bars ahead of time so that you have the right sized dams. At the time I cut up my kiln shelves, I had not planned on making narrow pattern bars (i.e. wasn’t planning on making maglesses), so I had to get creative with using the dams to make everything fit as the final bars were less than 2 ½” wide but not 1 ½” wide.
- I misjudged how many pieces I would have once I cut up the pattern bars. The blade ate up more glass than I anticipated.
- The devitrification spray did not work as well as I hoped – I should have sprayed a heavier coat and took the time to swab the sides (easier to do with one large plate than 64 maglesses). Originally, I planned to sandblast them, which I should have done but was feeling a little rushed to finish them and opted for the “quicker” route rather than drive to the city to use the sandblaster.
And, here's what I received in exchange. I have to say I was quite thrilled opening the box and looking at all the different designs.
Now I just have to figure out what to do with all of them. My husband has suggested that put magnets on them, buy a nice board and put them up over my work area in garage. Any other suggestions? Which ones do you like?
Sunday, March 25, 2012
Live Jury Experience
In my prior post, I mentioned part of the reason that I was creating new work besides just overall interest in the technique was for a live jury that I had this month. Normally, jurying just involved submitting photographs but for this jury, each candidate had to select 8-12 pieces that they would set up on a 6' table. The jurying took place at Fort Mason, San Francisco and all the artists had to be set up by 7:00 pm. Then we had to clear the room (a waiting area was provided) and come back at 9:30 pm to pick up our work. Fortunately, I live in Oakland, so it wasn't too difficult to travel back and forth. However, some artists drove from Chico or Los Angeles and had to spend the night.
Here's what my table looked like:
While, its a little hard to see each item, this give you an idea of my display and set up - symmetrical, on white, with lights behind the three main pieces, which was a nice effect as I didn't get the benefit of being in front of the window once the sun went down.
Unfortunately though, I was not accepted to be an exhibiting member. The feedback was that while the judges appreciated the technique, they wanted to see a deeper exploration in terms of form. I should mention that the jury was made up of ceramicists and glass artists, so for a ceramicist it's much easier to have different forms of bowls, vases...etc. Their comment was that my shapes looked similar, which was actually my intent. I make plates and platter in the same shape so that they can be mixed and matched.
However, they encouraged me to apply again (next jury will be in October; although jury members will be different). So I guess in the meantime, I'll be playing around with some bowls and possibly draping to get a vase-like effect. If you have any suggestions for other forms, please let me know. And, when I get around to taking close-up photos to put on my website, I'll include them in a post so you can better see the designs (or include a link to my website).
Here's what my table looked like:
While, its a little hard to see each item, this give you an idea of my display and set up - symmetrical, on white, with lights behind the three main pieces, which was a nice effect as I didn't get the benefit of being in front of the window once the sun went down.
Unfortunately though, I was not accepted to be an exhibiting member. The feedback was that while the judges appreciated the technique, they wanted to see a deeper exploration in terms of form. I should mention that the jury was made up of ceramicists and glass artists, so for a ceramicist it's much easier to have different forms of bowls, vases...etc. Their comment was that my shapes looked similar, which was actually my intent. I make plates and platter in the same shape so that they can be mixed and matched.
However, they encouraged me to apply again (next jury will be in October; although jury members will be different). So I guess in the meantime, I'll be playing around with some bowls and possibly draping to get a vase-like effect. If you have any suggestions for other forms, please let me know. And, when I get around to taking close-up photos to put on my website, I'll include them in a post so you can better see the designs (or include a link to my website).
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